The Challenge

Bright windows + darker interiors = blown highlights or muddy rooms. Here’s the workflow we use across Manhattan and Brooklyn.

Step-by-Step Technique

1. Base composition: Tripod, verticals straight. Compose to include key furniture + the view.

2. Bracket smartly: 5 frames at ±2 EV usually covers it. Avoid over-bracketing that creates halos.

3. Window pull frame: One extra exposure with a kiss of flash at low power aimed at window trim (not the glass) to balance contrast.

4. Color temperature: Interiors around 2800–3200K, daylight 5200–5600K. If mixed, turn off orange table lamps or swap bulbs.

5. Reflections: Step a few degrees off-axis; curtains slightly closed can hide reflections without blocking the view.

6. Polarizer? Use lightly and only when glare is severe—over-polarizing darkens the skyline unevenly.

7. Blend with restraint: Start with the natural base, paint in the window from the pull frame at 20–50% opacity. No “cut-out” look.

Bonus: Best timing in NYC

Late afternoon to blue hour yields the most forgiving dynamic range and the prettiest color on glass towers.

Pro tip: For trophy views (Empire State, Freedom Tower), anchor the skyline one-third from frame edge and keep sills level—buyers notice.